Bateria de Cenizas. Metaphors of Defence
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BUNKER INSTALATION
1999
work
Bateria de Cenizas. Metaphors of Defence, is a historical map where current events are juxtaposed with events of the past, a memory coil where the concept is extrapolated to various events, the idea of defence and attack, going beyond its intrinsic military relationship.
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TRYPTIC / SAN JULIAN III
Colour chromogenic print
30 x 40 cm each one
2003
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TRYPTIC / SAN JULIAN II
Colour chromogenic print
30 x 40 cm each one
2003
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TRYPTIC / SAN JULIAN I
Colour chromogenic print
30 x 40 cm each one
2003
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BATTERY CONSTRUCTION I
B & W anonymous photography
10 x 15 cm
Undated
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BATTERY CONSTRUCTION II
B & W anonymous photography
10 x 15 cm
Undated
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BATTERY- DE ATALAYÓN II
Ink print on dibond from slide
80 x 120 cm
2004
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BATTERY- DE ATALAYÓN III
Ink print on dibond from slide
80 x 120 cm
2004
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BLACK I
Slideshow
Variable Dimensions
2003
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BEYOND
Ink print on dibond from slide
80 x 120 cm
2004
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STOP! FIRE
Colour photography
10 x 15 cm
1999
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INSTALLATION BUNKER
Red & Black paintings on walls
Sala de Arte joven, Comunidad de Madrid
2003
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PROHIBIDO FUMAR
Colour photography
10 x 15 cm
1999
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SINK THE BOAT I
Ink print on dibond from slide
35 X 200 cm
2004
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OBUS CARRIER
Ink print on dibond from slide
100 X 200 cm
2004
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INFINITY
Ink print on dibond from slide
120 X 80 cm
2003
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ASH BATTERY INSIDE
Colour chromogenic print
80 x 120 cm
2003
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GARITA
Ink print on dibond from slide
80 x 120 cm
2004
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WHITE SILENCE
Ink print on dibond from slide
80 x 120 cm
2005
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HORIZON I
Ink print on dibond from slide 3 Pieces
135 X 200 cm each one (Detail of piece)
2004
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HORIZON
Ink print on dibond from slide
135 X 600 cm (3 pieces of 135 x 200 cm each one)
La Panera, Lleida
2004
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INSIDE BUNKER
Colour chromogenic print
70 x 100 cm
2003
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CHILLERAS (Obus storage)
Ink print on dibond from slide
135 X 800 cm (4 pieces of 135 x 200 cm each one)
2004
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WALL SERIES VII
Colour chromogenic print
70 X 100 cm
2003
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TRYPTIC WALLS
Colour chromogenic print
70 X 100 cm. ( each one)
2003
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BOW
Colour chromogenic print
80 x 120 cm
2003
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PORTMAN VIEW
Colour chromogenic print
80 X 120 cm
2003
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METAPHORS OF DEFENSE
21 photodrawings of cyanotype and graphite on graph paper
Matucana 100, Santiago de Chile
2007
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DETAIL II METAPHORS II
Photodrawing of cyanotype and graphite on graph paper
DIN-A3
2006-2007
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DETAIL METAPHORS II
Photodrawing of cyanotype and graphite on graph paper
DIN-A3
2006-2007
Artist Book
BATERÍA DE CENIZAS. METÁFORAS DE LA DEFENSA
GREEN BOOK - Mixed media 52 x 34 cm - 2003
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Text
Batería de Cenizas. Methaphors of Defence
Lisa Le Feuvre
Mediterranean has become a part of everyday life, informed by a belief in a different, perhaps better, place on the opposite side of the sea. This gaze is echoed in Rosell Meseguer´s images that look through the slits of defence buildings along the harbour and coast of Cartagena on the Spanish Peninsula that were last used in combat during the Spanish Civil War but now are abandoned and isolated from transport links providing a panoramic gaze.
Exhibition Curator
The Photographers´Gallery, London GREAT 55, Summer 2004
The ruins of the memory and the fortification of the subject (some ideas related to Rosell Meseguer)
Fernando Castro Flórez
Traducción: Claudia de la Peña McTigue & Rosell Meseguer
“Cain’s house in the Enoch’ steppes is the beginning of the “blockhouse”, built according to protection scales and the needs of the new life, imaginary ruins that hardly sketch some design. Its ground plan is an alegory of the tomb, where sometimes stretches out as a labyrinth and a shelter for life. If chance decides it that way .
Zizek has pointed out that between the antagonisms that represent our time, the antagonism between abstraction which is more and more determinant in our lives, and the storm of pseudoconcrete images could have a key place. If we can understand the abstraction as a progressive self-discovery of the basis of art language, in a process of a particular de-pictorialization, we would also have to understand that in this process we find the core of the modern times. In a chaothic world one of the “exits” can be to get into the crypt or to camouflage oneself, avoid being naked in the open.
Battery of Cenizas - Defence Methology II 1999-2005
Rosell Meseguer
After the Second World War, during Roosevelt’ s Presidency, the director of the Research and Science Development Office, Vannevar Bush, issued a report titled: Science, the Frontier without End. In this report, Mr. Bush talked about how defence strategies were put into practice in daily life. Vannevar, justified the need of military research to improve social welfare. One of the most outstanding improvements was the invention of the radar and its later use in everyday life.
This new eye, the radar, was able to detect submarines, which were first invented by Isaac Peral (Cartagena – Spain). Submarines constituted yet another element of military science that could be deactivated and detected by the radar.